Performance Studies | Feminist Theory | Queer Theory
My research generally lies at the intersection between queer and feminist theories and the study of the explicit body as a site of performance as well as the interrogation of the (mis)readings of those performances.
To see my full research profile, including book and performance reviews, you may visit my CV here.
To explore my dissertation research, Community, Confrontation, and the Subjectless Performative in Explicit Body Performance: Models of Audience Engagement click here.
For a Statement of Research click here.
Editorial: A Final Reflection on Performance as Research
Writing to Destroy: Making a Joker Play and Breaking All the Rules
The Audience is My Source of Hate:’ Xandra Ibarra and Fucking Whiteness
The Ethics of Care: Practice, Pedagogy, and Praxis in Theatre and Performance Classrooms and Beyond
The Value of Process: Creating theatre with incarcerated youth
La Chica Boom and the Pedagogy of Queer Failure
American Rape Culture: The Circulation of Affect, Victim-Blaming, and Cyborg Vaginas
